The True Grimoire
Encyclopedia Goetica: Volume 1
The first volume of Jake Stratton-Kent’s Encyclopaedia Goetica is a reconstruction of the Grimorium Verum from the corrupted Italian and French versions of the grimoire. The True Grimoire comprises a coherent and eminently workable system of goetic magic, with extensive commentary and notes by a practicing necromancer.
The second edition appears thirteen years after the True Grimoire was first published, in which time it has become a critical and foundational work of the current magical revival. As Dr Alexander Cummins observes in his Foreword, the True Grimoire ‘spearheaded a particular renaissance in grimoire studies towards more informed historical analysis and more engaged mythopoetic ritual praxis, all the while centring the realities of hands-on cunning.’
In his introduction and notes to the grimoire, Stratton-Kent elucidates the importance of this concise and comprehensive text to magicians and students of magic alike:
‘The grimoire deals with significant themes that other, often larger, texts have lost, omitted or obscured. […] It enables the persistent seeker to see, essentially, what many have failed to see, that underlying goetic magic is a hidden tradition of great depth and significance. It possesses a traditional methodology that confronts and deals directly with the same primal realities faced by our most remote ancestors; in which all later magic and religion had their original impetus, but which in the West is primarily preserved in goetic magic alone.’
We are given insights across the grimoire tradition into allied texts such as the Grand Grimoire and Red Dragon, the Key of Solomon, the Lemegeton, Abramelin, Honorius and the Black Pullet. This is a treasure trove for the student of magic. Stratton-Kent reveals a grimoire tradition with roots in the Graeco-Egyptian magical papyri and the necromancy of the goês.
The True Grimoire is an elemental and chthonic grimoire of conjuration, pact-making and spell-working. It clearly and concisely explains how to contact and build a relationship with the spirits, and the primary role of the intermediary spirit, whom JSK characterises as ‘akin in a real sense to the Holy Guardian Angel in the Abramelin system.’ The text provides the timing, tools and conjurations for what is an attainable and practical system of magic.
The new edition is augmented by two previously published and out of print essays by the author: ‘ The Spell for Success’ gives a comprehensive analysis of a key part of the Grimorium Verum ritual, which it shares with a number of other Solomonic works, but which originates conceptually in pre-Solomonic magic; and ‘The Conjuration of Nebiros,’ which details a complete conjuration from the author’s personal work, illustrating the entire process and contextualising it.
The book has been redesigned and typeset by Alkistis Dimech, with necromantic emblems by Artem Grigoryev. In addition, the hardback and fine edition are issued with a letterpress print of The Prayer of the Salamanders.
1st edition
The True Grimoire is a substantial octavo book of 280pp.
The text is profusely illustrated with characters, sigils, magic squares, and pontos riscados.
It is bound in verdant green book cloth, bloody endpapers and stamped with a rubeus memento mori. This is a volume with presence, as befits one housing so many spirits.
A copy of the Death's Head edition can be yours for thirty-five english pounds plus postage.
54 subscriber only fine bound editions
2nd edition
Fine edition
Limited to 72 copies
Handbound in full shrunken grain goatskin in deep bronze green, bevelled edges, all edges gilt, marbled endpapers, and custom slipcase. Letterpress print of The Prayer of the Salamanders.
Standard hardback edition
£60
Limited to 1200 copies
Printed on 150 gsm paper and bound in black cloth, bearing the seal of Frimost on the front, red endpapers, red ribbon, black dust jacket with design in bronze metallic ink and black foil. Letterpress print of The Prayer of the Salamanders.
Paperback
£25
Sewn paperback, printed on 120 gsm paper, black cover with design in bronze metallic ink and black foil.
