With An Exorcism: A Photo Romance, Slinger explores the feminine psyche further. Developed from a visit to Lilford Hall in 1970 with her then-partner, the filmmaker Peter Whitehead, Slinger provides us with a series of haunting images that chart a process of self-discovery and awakening that was described by Sheldon Williams as “a cascade of photo-collage imagery which has all the emergent trepidation of Hesse’s Steppenwolf.”