Of the many genres of world history, myth undoubtedly has had the most influence on culture from ancient to modern times. The Book of the Silent Sky follows in this mythic tradition with a fresh, yet familiar origin story of the cosmos, the creation of man, and the ultimate purpose of life.

Robert Cochrane – a name synonymous with Traditional Craft – is perhaps one of its most controversial figures of the 20th century. Scores of articles, books, blogs and webpages claim much in his name, each a pastiche of the other, and though they are a testament to his popularity, they offer little substance regarding his work, and even less in terms of factual information.

In Kurukulla: Goddess of Bewitchment, author Verónica Rivas combines academic research with personal experience to offer a theoretical-practical study of Kurukulla, the goddess in Hinduism related to desire, lust, magic, and witchcraft.

Óðinn’s identity as the Ecstatic God of the Tethers of Law and Death, is least recognised through his Skin-Turning and Shape-shifting techniques as gifts of the highest craft he imparts to a shamanic warrior elite.

Óðinn has been scandalised and deified in equal measure by medieval churchmen, demonising pre-Christian beliefs, and more recently by the romantic idealists and nationalists of the 20th Century, who glamorised them, to the extent that the genuine historical persona of this popular figure is saturated in complex, confusing mythology.

Studies of the Sagas invariably focus upon the events conveyed in Havamal as either a supernatural occurrence, a construct devoid of historical facts, or, as an historical piece separated from magical elements.

Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart.

Tradition is about Folk Magick and community customs – it thrives as a Faith, both lived and applied in Craft, and realised in Arte. Crafting the Arte of Tradition bares its soul while explaining its engagement of the ‘Other’ found in Wind-walkers, Wights, Covenants and Kings, Ancestors and Fools, Old Gods, Law and Lore, custom and culture, Fate and Magick, Divination and prophecy, tools of Craft and of Trade, and finally, Mysteries and Mysticism.

Myth would inform us that Dumuzid was merely the effete, hapless shepherd god who invoked the anger of his wife, Inanna, and became little more than a footnote in myth.

In Mesopotamian art, the rod and ring, like the horned helm or crown, are indicators of the depicted being’s divine status. The most famous depiction being that of Shamash, the solar god of justice holding both divine symbols of power before Hammurabi the king on the Code of Hammurabi stele.

A compilatory volume, gathering the artwork that José Gabriel Alegría Sabogal produced between 2012-2017. This ‘definitive anthology’ includes the long out-of-print Handbook of Sacred Anatomy (Aeon Sophia Press, 2014) and A Second Nature (ASP, 2017), along with further, unpublished works from the same period and an extended photographic record of Sabogal’s work focusing on human skulls and bones.

IAO is an iconographic proposal, an attempt to illustrate the Gnostic worldview and its myths as understood by the Ophites, a sect of which little is known. It is, perhaps, an exercise of imagination, of what Christian iconography could have resembled if the Ophites had survived.

Imagine a man who influenced the likes of Alan Watts, was a friend of Krishnamurti, whose work was lauded by Henry Miller, and had the audacity to challenge the great psychiatrist, C.G. Jung, during one of Jung’s own seminars.

The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice.

The work of Renaissance philosopher Giovanni Pico della Mirandola is both significant and interesting for a number of reasons. First, his writings provide both an approach to, and an understanding of, ancient wisdom traditions (philosophical and religious systems) and the way that we receive them in modern times.

This alchemical treatise walks us through a startling expression of emotive gnosis… (h)Auroræ seeks beyond and above the all-too-human condition in order to understand it, and advance it vis-à-vis a sensual Sophianic psychology, witnessed in cogitation.

Deep within the mysterious caves of the Himalayas, saturated by the cosmic radiations of the sacred Mount Kailas and Lake Manasarovar, manifests a radically unique current of Esoteric Hinduism: A Tantric Physics.

Cult of Golgotha presents a mysterious and strange glimpse into a creative occult current of revealed gnostic expression: the alchemical cross-pollination of Tantric Physics and Esoteric Voudon. Gnostic Bishop Craig Williams reveals a systematic vista of quantum exploration within the Womb of the Dark Goddess and Her web-like reach into the elemental world of gnostic Voudon.

The landscape of the Soul is a feral hunting ground of shadows and light, each morphing into translucent bodies of nourishment or destruction, depending upon the topographic Vision of the desert dweller. Entering the Desert explores the Terra Incognito of the Soul and reveals a primordial vision of a Pagan Sacramental Gnosticism of alchemical nature which if understood can open up the doorways to the Inner Sanctuary of Sacramental Vision.

Arcanum serves as a photographic exploration of its namesake, a journey into the other through the vision of another. In a world shaped by textual forms, Arcanum aims to delineate expectations and to open a window into a more fluid and dynamic world where interpretation is truly left to the beholder.