Orryelle Defenestrate Bascule
Orryelle Defenestrate-Bascule is an esoteric artist in many media, including painting, writing, sculpture, sound, film and performance art. He is the writer-director of Australian-originating Metamorphic Ritual Theatre Company who have presented many major original productions (in Europe/UK/US/Aust.) based in (and updating/mutating) various ancient mythos.
Orryelle is interested in the ensoulment of objects through aesthetic obsession; the merging of mental, spiritual and emotional relationships with creativity, in the vanguard of the current resurgence of the esoteric in art with its processes of re-enchantment.
The interplay of the figurative/representational and the abstract, the organic and ’synthetic’ (the actual and the virtual) are aspects of these explorations, which aim to delve below the surface of things…
Orryelle is now creating an esoteric sculpture park in the Ardennes forest of southern Belgium at his ‘Le Chalet Crepuscule’ base there, where Sabbat gatherings are held each year.
Publications
Our civilisation is in crisis. As we confront ecological collapse, political control, wars of terror, and wars on our consciousness we are seeking emergence from this state of emergency. XVI proposes gnostic strategy for liberation.
Edited by Ruby Sara, Mandragora: Further explorations in esoteric poesis is a companion volume to Datura, comprising nine extensive essays and the works of 48 poets.
Mandragora: Further explorations in esoteric poesis is a companion volume to Datura, comprising nine extensive essays and the works of 48 poets. A chthonic and deeply rooted work.
Hekate – Hermes – Baphomet – Babalon! Open this book and the gods leap from the page – Each rendered in exquisite, full-color paintings in this astounding collection by Orryelle Defenestrate-Bascule: ESEZEZUS!
Distillatio is the final volume in Orryelle’s four-fold Alchymic book-web The Tela Quadrivium. For eight years Orryelle worked only in black and white (with touches of gold and silver) for the previous volumes in the series, but in the last few years he has been exploring the alchemy of Colour in diverse media for this culminating volume.
In describing this new work Orryelle says, ‘Solve dis-solves the gold distilled in Coagula, tears apart our egos, dismembers our bodies and hurls any conceptions of perfection back into the primal void.
Lavishly illustrated by the artist, Coagula births the magical children born of the Gods and Goddesses united by the reader in Conjunctio. From these unions now the pages are divided, and the cosmic egg cracks open: hermaphrodites and hybrids from the conjunction of masculine and feminine, solar and lunar, silver and gold gestate within and coagulate back into the world of form. Images are accompanied by evocative descriptive texts, insights and a magical ‘foreword’ and ‘backword.’
Conjunctio presents mirrored pairs of Sacred Twins and Divine Lovers from various cultural pantheons coupled on facing pages. They are aligned in such a way that when the pages are turned the figures are United in holy conjunction by the alchemical reader. Different reflective relationships – alchymic opposites and complementaries – are explored b e t w e e n the pages.
ATUA is the public vehicle through which the members of the S.V.G. make selected manifestations of their magico-gnostic research and experience available to an informed audience.
The first I:MAGE was a seven day interdisciplinary exhibition and events programme, curated by FULGUR at The Store Street Gallery, London. The venue was chosen due to it’s proximity to Treadwell’s Bookshop, who generously offered facilities for ancillary events associated with the programme. Over the course of a week, more than 300 people attended.
Periodicals
Greek mysteries, psychedelic art, New Orleans Voodoo, Kabbalah in contemporary culture, Ritual & Analytical spaces, religious Scientism, death/exit horoscopes, new poetry and much more… A smorgasbord of occulture & delightenment!