Johnny Decker Miller
Residing in Chicago with his wife and two children, Johnny Decker Miller is a writer, illustrator, and painter who draws inspiration for his work from folklore, comparative religion, iconography, magic and witchcraft. His written work has been featured in the journal WYRD from Three Hands Press and the anthology PILLARS: The Scalding of Sapientia from Anathema Publishing. As a visual artist, his work has appeared in CLAVIS: Occult Arts, Letters and Experience and the forthcoming book WITCH-IKON: Witchcraft in Art and Artifact. He has exhibited widely, creating public artworks for the Lollapalooza music festival and contributing to the set design of television shows such as The Exorcist.
Publications
Throughout history, certain individuals held renown for their power over the spirits, the forces of Nature, and their supernatural powers, through the practice of the arts of magic.
Far from being a religion defined by rituals of peace, and love and salvation, Christianity has a dark side which historically embraced the imprecatory arts—rituals of cursing and malediction.
The writings of the celebrated American author of weird fiction H. P. Lovecraft are known for their groundbreaking innovation, particularly their treatment of ‘the other’ or otherness, incepting a palpable state of alienation in the reader.
Chance, the great beloved of gamblers, lovers, generals and kings, has long held sway over mortal affairs. Whether assuming the form of the goddess Fortuna and her ever-turning Wheel, or the abstract mathematic of ‘randomness’ Her favor is universally sought, and Her displeasure feared.
Periodicals
Our eighth issue, also known as “Idyl Hearts,” published November 2021. Fiddler’s Green 8 features copper titling, a cover drawn by Sigurd Persson, and 56 pages of art and magic.
Sixth issue, “Woodcutter’s Moon,” published 2 February 2019, with copper titling, a cover drawn by Matthew Glover of Sin Eater Illustration, and 52 pages of art and magic
The Green Key is the central arcanum of Clavis Volume 4, contemplating the intersection of the plant world with the occult arts, and is 112 pages.